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Qualisha Wood's code_eden, guest curated by Leandra-Juliet Kelley

Event Details

Qualisha Wood's code_eden, guest curated by Leandra-Juliet Kelley

Time: November 15, 2025 from 3pm to 6pm
Location: Glassboro, NJ
Street: 301 High St W
City/Town: Glassboro
Website or Map: https://www.eventbrite.com/e/…
Phone: 8562564547
Event Type: curator, lead, talk, with, the, artist, reception, to, follow
Organized By: Mary Salvante
Latest Activity: Oct 8

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Event Description

Qualisha Wood
code_eden
guest curated by Leandra-Juliet Kelley
November 10, 2025 - January 10, 2026
Curator lead talk with the artist with reception to follow Saturday, November 15, 3:00 - 6:00 PM

RSVP
https://www.eventbrite.com/e/qualeasha-wood-code-eden-tickets-1820346688949?aff=oddtdtcreator


Marketing blurb:
In her textile practice, Wood brings together traditional craft techniques and contemporary technology. Her own image acts as a point of departure for works that explore racial, sexual and gender identity as they relate to the Black femme body. Woods’ tapestries combine cybernetic and analog processes; in her work, a pixel is equivalent to a stitch, each stitch an analogy for the past, present and future of Black femmehood, both on- and off-line, pre- and post-internet.

While Wood’s tapestries blend images from social media with religious, specifically Catholic, iconography, her ‘tuftings’ represent cartoon-like figures that recall the racist caricatures widespread in popular family programmes of the early-mid-20th century and beyond. As well as marking a technical shift from the artist’s tapestry pieces, the tuftings have a distinctly different visual style. In them, Wood adopts a naïve aesthetic that calls on the nostalgia of cartoon animations and their association with racial stereotyping to unpack notions of Black girlhood. Despite their formal simplicity, the tuftings reveal a lurking tension drawn from the artist’s own experiences of consuming media rife with anti-Black prejudice throughout her life. Where the tapestries are absorbed in consumption and cyber culture, the tuftings speak to inherited trauma and necessarily implicate accountability in the viewer.

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