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Instruments and Order: In Search of "Nature Music" ~ Free lecture at the Wagner Free Institute of Science

Event Details

Instruments and Order: In Search of "Nature Music" ~ Free lecture at the Wagner Free Institute of Science

Time: March 6, 2014 from 6pm to 7:30pm
Location: Wagner Free Institute of Science
Street: 1700 West Montgomery Ave.
City/Town: Philadelphia
Website or Map: http://www.wagnerfreeinstitut…
Phone: 2157636529
Event Type: free, evening, talk/lecture
Organized By: Wagner Free Institute
Latest Activity: Feb 27, 2014

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Event Description

~Weeknights at the Wagner~

Thursday, March 6, 2014 at 6:00PM
Instruments and Order: In Search of “Nature Music”
By Dr. Emily Dolan, University of Pennsylvania

At the Wagner Free Institute of Science, 1700 West Montgomery Avenue, Philadelphia, PA 19121

Cost: FREE, suggested donation of $10 for adults and $5 for students and seniors

Website: http://www.wagnerfreeinstitute.org/syllabi%202013-14/InstrumentsOrder.htm
Registration link for this free program: http://instruments-and-order.eventbrite.com

Description: What is nature’s voice? Does it understand harmony or know melody? Can nature sing? During the early 19th century, many inventors and acousticians were fascinated by the idea of harnessing natural tones. The idea that music and nature are closely bound is an ancient one that stretches back to the Harmony of the Spheres. The “nature music” of this period, however, was understood not as silent mathematical proportions, but rather as actual sound: beautiful, ethereal tones that were thought to linger from a prelapsarian time. Musicologist Emily I. Dolan explores the attempts to organize and control the voice of nature with new, and often fantastical, instruments.

Emily I. Dolan is Associate Professor of Music at the University of Pennsylvania. She specializes in eighteenth- and nineteenth-century musical culture; in particular she is interested in the intersections between the histories of music, science, and technology. Her first book, The Orchestral Revolution: Haydn and the Technologies of Timbre (Cambridge University Press) was published last year.

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